Mostar - 9 stops - par 26
Mostar is the stage for this round, with the map following the real city and the ball rolling across its actual streets. The holes are built from local attractions, starting with the Stari most. Skip knows these corners well and will lead the way through a quick 9-hole round of par 26. The walk covers 4.8 km and uses 20 portals to move between districts.
The course is drawn on the real street grid, so the map you play is the map you walk.
Drag to aim, release to swing. Buildings bounce and water costs you a stroke.
Every hole ends at an attraction. Sink the putt, read the story, walk to the next tee.
You will first notice the Roman Catholic church of Sveti Petar i Pavao and its associated monastery. This site is located along the river Radobolja at the foot of Hum Hill. The church and monastery are run by the Franciscans. It is a place of worship and monastic life in Mostar. Visitors can observe the building's position relative to the river and the hill, which defines its place in the local geography. The Franciscans continue to run the church building and the monastery. As you walk through the area, the presence of both the church and the monastery provides a clear look at the Roman Catholic tradition in Mostar. The location along the river Radobolja and at the base of Hum Hill makes the site a distinct landmark for those visiting the city.
You will first notice the Ottoman architecture style of Koski Mehmed Pašina džamija. This building is a mosque and is recognized as a National Monument of Bosnia and Herzegovina. Work on the structure was started in 1618. The mosque stands as a primary example of the Ottoman architectural influence in Mostar, featuring the characteristic design elements of that era. Visitors often come here to observe the specific craftsmanship and the historical layout that define this particular style. By designating it as a National Monument of Bosnia and Herzegovina, the state ensures the preservation of this 1618 site for future generations. It is a place of worship and a site of historical importance that provides a clear look at the region's architectural past and its enduring heritage.
You will first notice the curved silhouette of Kriva Ćuprija, a small stone arch bridge crossing the Radobolja river in Mostar, Bosnia and Herzegovina. It is a fine example of the Ottoman architecture style. This bridge is the oldest one arch bridge in Mostar and was built in 1558 during the Ottoman rule. The builder was the Ottoman architect Ćejvan Ketoda. I usually find the stone here has a wonderful texture for a bird to grip when I am resting. It is a peaceful spot to stop and look at the water before you continue your walk through the city, and you can see how the arch interacts with the flow of the river below. It is one of the most charming points of the local landscape for any visitor to appreciate.
The Eparchy of Zachlumia, Herzegovina, and the Littoral of the Serbian Orthodox Church holds jurisdiction over the Holy Trinity Cathedral. This Eastern Orthodox church in Mostar is a cathedral built in the eclectic architecture style. Construction of Saborna crkva Svete Trojice started in 1873, and the building served as a cathedral church from 1873 until its destruction during the Bosnian War in 1992. Today, the site is recognized as a National Monument of Bosnia and Herzegovina. As you look at the structure, you can see that the cathedral has been under reconstruction since 2011. It remains a significant site within the city, reflecting both the architectural history of the region and the events that led to its current state of restoration.
Mimar Sinan was the architect of Karađoz-begova džamija, a mosque and külliye in Mostar. Built in the Ottoman architecture style, its inception was in 1557 and it was completed in 965 AH (1557/1558 CE). This Sunni mosque is a National Monument of Bosnia and Herzegovina. The structure has a history of loss and recovery; it was destroyed in the early 1990s during the Bosnian War and later rebuilt in 2004. Visitors can observe the specific architectural choices made by Sinan, one of the most renowned figures of the era. The site remains a central point of faith and history within the city, representing both the Ottoman influence on the region and the resilience of the local community in the face of conflict.
You will first notice the presence of the Hrvatsko narodno kazalište Mostar, which is both a theatre company and a theatre building. Located in Mostar, this institution was founded in 1994 and provides a dedicated space for the performing arts within the city. It is a notable landmark for visitors because Mostar is home to the largest population of Croats in Bosnia and Herzegovina. When you are walking by, you can pick out the distinct architecture of the theatre building against the backdrop of the surrounding streets. I have noticed that the energy of the city often seems to pulse right here, as people gather near the entrance before a show. Whether you are interested in the history of the company or just the look of the building, it is a stop that helps you understand the demographic makeup of the region.
The Ottoman architecture style defines the physical presence and structure of Ćose Jahja-hodžina džamija. This building is a mosque that reflects the broader Islamic architecture style in its design, making it a significant example of these traditions in the city. Because of its historical and cultural importance to the region, it is officially designated as a National Monument of Bosnia and Herzegovina. Visitors can observe how these specific architectural influences shaped the building's form and how it continues to be preserved as a piece of national heritage. The intersection of the Ottoman and Islamic styles provides a clear look at the regional building practices that define this National Monument of Bosnia and Herzegovina.
The aluminium manufacturing company Aluminij runs and sponsors the Aluminij Gallery. This gallery is located in Mostar, Bosnia and Herzegovina, and stands as a key part of the local cultural scene. Along with this gallery, you can visit the Hub of Fine Arts, which is an art museum located in Mostar. I find the connection between heavy industry and the arts a bit curious, but it makes for a great walk through the city. Let me show you these spaces where the local creative spirit takes center stage. Whether you are interested in the corporate sponsorship of the arts or the curated exhibits of a museum, these two locations provide a look at how Mostar celebrates its visual culture. It is a nice change of pace to see how the city balances its industrial roots with these creative hubs.
Katedrala Marije Majke Crkve, also known as Mostar Cathedral, is a cathedral located in Mostar. Construction on the building started in 1974. It is a site of significant religious administration, as it serves as the seat of the Mostar-Duvno Bishopric. This bishopric is currently led by Bishop Petar Palić. For those visiting the city, it is a point of interest as one of four Roman Catholic cathedrals found within Bosnia and Herzegovina. The cathedral remains a central landmark for the local Catholic community and the wider region. You can observe the architectural presence of the building as you move through the streets of Mostar, noting its role as both a place of worship and the administrative center for the bishopric in this part of the country.
The cup for the final hole is the Gazi Husrev-begova džamija. This round takes place in Sarajevo, where the map is the actual city and the ball rolls across its real streets. The holes are built from the city's actual attractions. I know these corners well, having spent plenty of time dodging crumbs on the pavement. It is a full round of 18 holes with a par of 53, covering a walk of 11.4 km and using 38 portals to bridge the gaps.
Yes. Every course runs in the browser with no account and no install.
No. The full round plays from anywhere. Walking the real route is a nice way to see the city, but it is not required.
Yes. The geometry comes from OpenStreetMap data, rendered chunky on purpose. Streets, water and parks sit where they really are.